Another racial cartoon buddy movie that eagerly flogs its best laugh -- indeed, its only laugh -- in the trailer.
Owen Gleiberman — Entertainment Weekly
A shell game passing as entertainment.
Elvis Mitchell — New York Times
The first hour of the story, whose rampant unexplained mysteries will leave you scratching your head in wonderment.
Michael O'Sullivan — Washington Post
Gallo has delivered a clever suspense comedy that, thanks to a taut script, creative direction, and first-rate performances from its leads.
Jay Carr — Boston Globe
The movie has more product placements than halftime at the Super Bowl.
Dean Essner — Houston Chronicle
The kind of movie you'll encounter in the wasteland of late-night cable -- and watch with a measure of awe.
Chris Vognar — Dallas Morning News
Double Take is the kind of double-triple-reverse movie that can drive you nuts because you can't count on anything in the plot.
Roger Ebert — Chicago Sun-Times
Let's hope that next time Jones chooses a movie that's worth a second look.
Mark Caro — Chicago Tribune
Frequently funnier than it has any right to be.
Carrie Rickey — Philadelphia Inquirer
(Double Take movie review at Minneapolis Star Tribune)
Dean Essner — Minneapolis Star Tribune
(Double Take movie review at Detroit News)
Susan Stark — Detroit News
(Double Take movie review at Variety)
Joe Leydon — Variety
The legendary British novelist is probably turning over in his grave at being associated with this witless farrago.
Lou Lumenick — New York Post
It's too violent, too muddled and too pat to be much more than an average evening's entertainment on UPN.
Roger Moore — Orlando Sentinel
Piling double-cross upon deception at a speed that quickly outpaces the audience's interest in what's happening.
Geoff Pevere — Toronto Star
Botched on every count.
Tom Keogh — Film.com
This is a film that's better than it has any right to be.
Ray Conlogue — Globe and Mail
If you doze or play your GameBoy for an hour or so in the middle of the movie, you might find it an agreeable time-waster.
Andrew O'Hehir — Salon.com
As if to compensate for this lack of focus, all the spats are enacted at maximum volume, pitched so high that we often don't know how to take them.
David Chute — Los Angeles Times
(Double Take movie review at Sight and Sound)
Dean Essner — Sight and Sound
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