Edna Ferber's best-selling family saga was the source of Stevens' sprawling epic, which stars Rock Hudson, Elizabeth Taylor, and James Dean, in his last film appearance. When Texas cattleman Bick Benedict (Hudson) goes to Virginia in the early 1920s to buy a prize stallion, he falls in love with Leslie Lynnton (Taylor), an aristocratic, independent-minded beauty, and they quickly marry. He takes her back to Reata, his 600,000-acre ranch, where sister Luz (Mercedes McCambridge), the family matriarch, does her best to make Leslie feel unwelcome. Leslie is appalled by the second-class status accorded to women and racist attitudes toward the local Mexicans, neither of which seem to bother her husband. Out of compassion, she befriends surly ranch hand Jett Rink (James Dean), who comes to worship her from afar, envying Bick for both his wealth and his wife. He strikes oil on land bequeathed to him by the deceased Luz and his wealth and power grow apace. As the years pass, the bewildered Bick often finds his children thwarting his wishes and criticizing his beliefs, pushing the millionaire to question his values for the first time in his life. The film's outstanding cast, which also features Dennis Hopper, Sal Mineo, Carroll Baker, Earl Holliman, and Chill Wills, inject vitality into a project that occasionally suffers from longueurs.
Giant is just that, a movie of huge scale and grandeur in which wrangler-turned-oil-baron Jett Rink (James Dean, in his final film role), cattleman Bick Benedict (Rock Hudson), his society-gilded wife Leslie (Elizabeth Taylor) and three generations of land-rich Texas sons and daughters love, swagger, connive and clash in a saga of family strife, racial bigotry and conflict between cattle barons and newly rich oil tycoons.
Stevens Jr., screenwriter Ivan Moffat and critic Stephen Farber.Read More