MovieWeb

The Blind Swordsman: Zatoichi (2003)

The Blind Swordsman: Zatoichi
The Blind Swordsman: Zatoichi
R
Action
Adventure
Comedy
Crime
Documentary
Drama

Release Date
September 6, 2003
Director
Takeshi Kitano
Cast
Takeshi Kitano , Tadanobu Asano , Michiyo Ookusu , Gadarukanaru Taka , Daigorô Tachibana , Yûko Daike
Runtime
115
Main Genre
Action
Writers
Takeshi Kitano , Kan Shimosawa
Tagline
His sword made him a hero...His courage made him a legend...This summer justice is blind.

Summary

Japanese auteur Takeshi Kitano, director of such masterpieces as FIREWORKS and SONATINE, takes on the iconic character of Japan's longest-running and best-loved film series, the blind swordsman Zatoichi. Best known for his gripping yakuza gangster films and as a famous comedian, Kitano’s set down the guns and picked up the sword, THE BLIND SWORDSMAN: ZATOICHI emerges as an unforgettable blend of light comedy and thrilling action sequences. Zatoichi is a 19th Century blind nomad who makes his living as a gambler and masseur. However, behindthis humble facade, he is a master swordsman gifted with a lightning-fast draw and breathtaking precision. While wandering, Zatoichi discovers a remote mountain village at the mercy of Ginzo, a ruthless gang-leader. Ginzo disposes of anyone who gets in his way, especially after hiring the mighty samurai ronin Hattori as a bodyguard. After a raucous night of gambling in town, Zatoichi encounters a pair of geishas -- as dangerous as they are beautiful -- who’ve come to avenge their parents' murder at the hands of Ginzo. As the paths of these and other colorful characters intertwine, Ginzo’s henchmen are soon after Zatoichi. With his legendary cane sword at his side, the stage is set for a riveting showdown.

latest

Why is Pegasus black? Why did this flying horse need to be recast El Negro? It makes about as much sense as casting {1} in the role of Ralph Kramden. There is no reasoning being placed behind it, other than, We can do what we want! We can do what we feel! It's strange that in both {2} and 2005's {3}, the only hint of imagination or originality came from swapping ethnicities. In neither case does it pertain to, or help push along the story. It's senseless esthetic scrambling. Sure, poor black fol
BOOS! & WHOOP-DOOS!: Why Is Pegasus Black? and Other Remake Mysteries!

B. Alan looks at a decade of horrible cinematic remakes and rehashes that ruined film as an art form.

By 
MW
Takeshi Kitano Making Outrage

The Japanese director is returning to the violent, gangster film genre.

By 
Movie PictureBeat wins another award,
I HATE YOU. AND YOUR STUPID MOVIE...ZATOICHI!

B. Alan takes a long, hard look at Beat Takeshi's latest DVD.

By