The Italian Job Reviews
With its impeccable timing, steady kinetic drive and superbly choreographed chase sequences through the canals of Venice and the streets of Los Angeles, the movie, directed by F. Gary Gray, feels a like smooth, exciting whoosh down a ski slope.
Memories of the 1960s caper classic are obliterated by this pointless remake, which uncomprehendingly salvages a few elements from the original, while behaving as if no one involved cared or liked it much anyway.
A slicker, faster-paced, high-tech upgrade that lifts the sprightly spirit and the main action set piece from the original while developing its own twists and a new ending that, though a bit too pat and eager to please, is a vast improvement.
This one offers some agreeably mindless fun in which the villains (including Norton) are truly villainous, the payback is satisfying in a purely infantile way, and the familiarity of everything is oddly comforting.