The Nightmare Before Christmas Reviews
The Nightmare Before Christmas is a major step forward for both stop-motion animation, which is stunningly well used, and for Mr. Burton himself. He now moves from the level of extremely talented eccentric to that of Disney-style household word.
Working with gifted artists and designers, [Burton] has made a world here that is as completely new as the worlds we saw for the first time in such films as Metropolis, The Cabinet of Dr. Caligari or Star Wars.
The hippest of all holiday classics, the 1993 release rendered anew in 3-D format remains a postmodern three-ring circus of morbid humor, eye-popping puppet animation and show-stopping songs.
The dazzling techniques employed here create a strikinglook that's never been seen in such sustained form, making this a unique curio that will appeal to kids and film enthusiasts alike.
A work of grand visual wit, clever songs, funny gags and genuine pathos, it is perhaps the greatest stop-motion animated film ever, a painstaking style of model animation that computers have all but completely done away with.
In the 13 years since it was released to a predictably puzzled family audience, Tim Burton's macabre stop motion musical has wound its way through cult affection (and survived mall-Goth appropriation) to earn its rightful place as a genuine classic.
This cautionary fable (Be True to Your Ghoulish Self) may be a little too twisted for little kids but anyone 8 or older will spot the friendly glint behind jack's empty eye sockets.