Based on Nicholas Pileggi's book WISEGUY, Martin Scorsese?s GOODFELLAS is a wry, violent, and exhilarating film about the life of Henry Hill, an aspiring criminal who ends up in the FBI?s witness protection program after testifying against his former partners. As a poor Irish-Italian growing up in 1950s New York City, Hill rises through the ranks of his Brooklyn neighborhood's organized crime branch, and with money from the mob he begins living the good life, complete with a beautiful bride, Karen (Lorraine Brocco), a fancy home, and the best seats at the most exclusive restaurants. A botched robbery lands Henry in prison for a brief period of time, and when he gets released, his reckless infidelities and drug abuse damage his associations with his adopted family.
Director Peter Medak's gritty voyage into the world of organized crime in 1960s London is a disturbing character study of the two most frightening and influential gangsters to ever come out of England, Ronnie and Reggie Kray. The ingenious casting of former pop icons Gary and Martin Kemp (of Spandau Ballet) as the powerful Kray brothers works well, establishing an eerie, unspoken connection between the two that is unsettling and extremely daunting.
One scene in particular epitomizes that bond: Ronnie and Reggie come face to face in a boxing ring, each daring the other through snarls and psychopathic grins to knock the other down. Ringside spectators can't really understand the brothers' confrontation, but in the Krays' eyes we can see their power and unspoken resolve, as well as their sense of themselves as existing in an upper echelon of strength and sheer will that clearly separates them from the onlookers.
It's this intense self-confidence that enables the Krays to rise from working-class obscurity to the highest ranks of organized crime. The Kemp boys also do a splendid job in portraying the inherent instability associated with the Krays. This true story follows the brothers from childhood through their rise and then fall from grace, as their personal lives and violent natures culminate in two murder charges, resulting in 30 years of imprisonment. Beyond its folkloric power, The Krays also captures a post-World War II London still recovering from the war's devastation, dismissing the mythos of the Swinging '60s people so fervently relate to this period.
A new doctor finds himself with a ward full of comatose patients. He is disturbed by them and the fact that they have been comatose for decades with no hope of any cure. When he finds a possible chemical cure he gets permission to try it on one of them. When the first patient awakes, he is now an adult having gone into a coma in his early teens. The film then delights in the new awareness of the patients and then on the reactions of their relatives to the changes in the newly awakened.
The love triangle between author Henry Miller, his wife June and Anais Nin in 1930s Paris.
Embarrassed by his large nose, a romantic poet/soldier romances his cousin by proxy.
Wealthy Sunny von Bülow lies brain-dead, husband Claus guilty of attempted murder; but he says he's innocent and hires Alan Dershowitz for his appeal.
Janet Frame grows up in a poor family. She is different than the other kids. She is considered abnormal and locked away in a mental institution for eight years. Everything changes when she starts writing books.
Emmet Foley, a decorated but troubled Korean War vet suffering from PTSS and impotence, has a breakdown and goes on a shooting spree in his neighborhood, subliminally hoping to commit "suicide by cop." Failing that, he shoots himself in the chest but survives to be sentenced to a "maximum security" mental health facility in 1955 Florida. While recovering, he begins to feel a sense of rage over the mistreatment and open abuse of his fellow inmates, whose needs are ignored in an atmosphere of neglect and filth. With the help of another inmate and his faithful sister, he begins a campaign against the entrenched bureaucracy to improve conditions for his fellow patients
Chronique d'une famille du début du siècle à travers le regard et les aventures du jeune Marcel qui sont également les souvenirs d'enfance de Marcel Pagnol.