You are not your job. You are not how much you have in the bank. You are not the contents of your wallet. You are not your khakis. You are not a beautiful and unique snowflake. What happens first is you can't sleep. What happens then is there's a gun in your mouth. And what happens next is you meet Tyler Durden. Let me tell you about Tyler. He had a plan. In Tyler we trusted. Tyler says the things you own, end up owning you. It's only after you've lost everything that you're free to do anything. Fight Club represents that kind of freedom. First rule of Fight Club: You do not talk about Fight Club. Second rule of Fight Club: You do not talk about Fight Club. Tyler says self-improvement is masturbation. Tyler says self-destruction might be the answer.
Lester Burnham becomes intrigued by a young girl named Angela, and this fascination sparks him to make some major changes in his life. He relishes these changes, much to the exasperation of his wife Carolyn.
Paul Edgecomb's tour of duty as the head guard on Death Row at Cold Mountain in the Depression-era South included watch over a quartet of killers awaiting their final walk down "the Green Mile," the stretch of green linoleum flooring that took convicts from their jail cells to the electric chair.
Over the years, Edgecomb walked the mile with a variety of cons. He had never before encountered someone like John Coffey, a massive black man convicted of brutally killing a pair of nine-year-old sisters. Coffey certainly had the size and strength to kill anyone, but his demeanor starkly contrasted with his appearance. Beyond his simple, naive nature and a deathly fear of the dark, Coffey seemed to possess a prodigious, supernatural gift. Edgecomb began to question whether Coffey was truly guilty of murdering the two girls.
In this chilling psychological thriller, eight-year-old Cole Sear is haunted by a dark secret: He is visited by ghosts. A helpless and reluctant channel, Cole is terrified by threatening visitations from those with unresolved problems who appear from the shadows. Confused by his paranormal powers, Cole is too young to understand his purpose and too terrified to tell anyone about his torment, except child psychologist Dr. Malcolm Crowe. As Dr. Crowe tries to uncover the ominous truth about Cole's supernatural abilities, the consequence for client and therapist is a jolt that awakens them both to something harrowing -- and unexplainable.
Dr. William Harford (Tom Cruise) plunges into an erotic foray that threatens his marriage - and may even ensnare him in a lurid murder mystery - after is wife's (Nicole Kidman) admission of sexual longings.
Disney's Tarzan follows the extraordinary adventures of an orphaned infant raised by a family of gorillas and ultimately accepted as one of their own. As Tarzan matures into a young man with all the instincts of a jungle animal and the physical prowess of an athletic superstar, his life changes forever when he finally meets other humans, with whom he feels an immediate and irresistible bond.
Meet the Stratford sisters: pretty and popular Bianca (LARISA OLEYNIK), who has never had a date; and Kat (JULIA STILES), her older sibling, an ill-tempered harridan whose acerbic wit is matched only by her steadfast determination to alienate any guy who might be remotely interested in her.
Unfortunately, strict rules in the Stratford household forbid Bianca from having a boyfriend until her odious sister has one of her own -- a situation that seems highly improbable considering Kat is a social disaster.
Bianca's desperation for romance turns into a convoluted scheme to match Kat with her male equivalent -- a guy whose reputation is so infamous, Kat might rise to the challenge and find him worthy of her concealed charms. Mating mayhem ensues when Patrick Verona (HEATH LEDGER) (a sullen young man with a mysterious past -- is bribed by Bianca's wannabe boyfriend (ANDREW KEEGAN) to woo and win Kat, in order to clear the way for Bianca to begin dating.
32-year-old Sonny Koufax (Adam Sandler) is a law school graduate who is steadfastly avoiding the pressures of adult responsibilities. As the lone holdout among his group of law school buddies, he eschews the career and marriage fast track for a part-time job, the neighborhood sports bar and endless take-out meals.
Even his roommate and old law school buddy, Kevin (Jon Stewart), is joining the ranks of the grown-ups by proposing to his longtime girlfriend, Corinne (Leslie Mann), who's eternally at odds with Sonny and whose former life as a Hooters waitress is always good for a chuckle. The only people who appreciate Sonny's unique outlook on life are Corinne's beautiful sister, Layla (Joey Lauren Adams), a hard-working attorney, and Sonny's longtime take-out food delivery guy (Rob Schneider), who's practically achieved the status of a third roommate.
In a misguided attempt to impress his girlfriend, Vanessa (Kristy Swanson), and prove he's ready for responsibility, Sonny adopts a five-year old boy, Julian (Cole and Dylan Sprouse), under the false pretense of being his biological father. When the plan doesn't work out and Vanessa leaves him anyway, Sonny tries to "return" the kid to Social Services. Faced with placing Julian in a children's home until the agency finds a suitable foster family, Sonny agrees to take care of him for the time being.
Although plunged into the unknown territory of sleep deprivation, irritating children's songs and bedwetting, Sonny soon embraces his role as a temporary dad taking an unconventional approach to child rearing. But the ruse eventually catches up with him when Social Services discovers he isn't Julian's real father. In an attempt to keep the boy he has grown to love and make their relationship legal and permanent, Sonny surprises himself, his family and friends as he comes to learn and accept real-life responsibility.
Anna Scott (Julia Roberts) is the world's most famous movie star. Her picture has been plastered on the cover of every magazine, and every time she makes a move, the entire world knows about it. William Thacker (Hugh Grant) owns a travel bookstore. His business is stagnant, he has the roommate from hell, and since his divorce, his love life is completely non-existent.
For both, something or someone seems to be missing. And when Anna and William's paths unexpectedly cross in the eclectic neighborhood of Notting Hill, romance is the last thing on their minds.
It's summer break, and Kathryn (Sarah Michelle Gellar) has been dumped by her beau, Court Reynolds, for the innocent Cecile (Selma Blair). Desperate to get even, Kathryn challenges Sebastian (Ryan Phillippe) to ruin Cecile by deflowering her and turning her into a tramp -- thus humiliating Court by delivering Cecile to him as damaged goods. Sebastian has pretty much 'had' all of the girls in New York City up to this point, and he's gotten a bit bored of it all. Though this is too easy a conquest for him, he obliges.
He sets his sights on a greater challenge -- the new headmaster's daughter, Annette (Reese Witherspoon), who recently wrote an article in Seventeen Magazine about how she intends to stay pure until she marries her boyfriend. Sebastian bets Kathryn that he can seduce the chaste and pristine Annette before school begins in the fall. Kathryn thinks this feat impossible and quickly agrees to the wager. The stakes: if Sebastian succeeds, Kathryn must give him a night of unbridled biblical pleasure, something he's wanted since their parents got married. If he fails, he must forfeit his priceless 1956 Jaguar to Kathryn and suffer the shame of defeat.
Josie Geller (Drew Barrymore) wants more out of life. As a bright twenty-five-year-old copy editor at Chicago's revered newspaper, the Chicago Sun-Times, she yearns to be a reporter. Josie is skilled at her profession, but completely clueless in her personal life. She was a brainy nerd in high school, a geek to the core - kids called her "Josie Grossie" - and she has never had a serious relationship with a man. Josie has never, she laments, been really kissed.
But things are about to change for Josie - in ways she could never have imagined - when her dream to become a reporter becomes a reality. But her first assignment couldn't be more nightmarish: she must go undercover at a local high school to report on today's teenagers. Now, eight years senior to the oldest pupil in the class, Josie must figure out her story - and a potential new love - while reliving her horrific adolescence and negotiating high school's social and emotional land mines.
The legendary hockey players of Mystery are born on skates. And the weekly hockey game on the local "pond of dreams" is much more than a sport -- it's a ritual celebration attended with religious devotion, the only thing that holds the players together. But then an article in a sports magazine prompts the National Hockey League to send the New York Rangers to challenge these local heroes in a "Rocky"-like, back-to-the-roots-of-hockey exhibition game. The publicity stunt thrusts this tiny town and its colorful inhabitants into the national spotlight and promises fame and fortune for everybody.
But the invading corporate circus threatens to destroy the only thing that matters to Mystery: the pure ritual of the local sport. Will the boys of winter transcend the hype and take on the Rangers in a real contest? Or will they become a national joke? The outcome is only a game away.
To be young and carefree amid the blue waters and idyllic landscape of sun-drenched Italy in the late 1950s; that's la dolce vita Tom Ripley (Matt Damon) craves - and Dickie Greenleaf (Jude Law) leads. When Dickie's father, a wealthy ship builder, asks Tom to bring his errant playboy son back home to America, Dickie and his beautiful expatriate girlfriend, Marge Sherwood (Gwyneth Paltrow), never suspect the dangerous extremes to which Ripley will go to make their lifestyle his own. After all, it's better to be a fake somebody than a real nobody.
A small group of adventurous American soldiers in Iraq at the end of the Gulf War is determined to steal a huge cache of gold reputed to be hidden somewhere near their desert base. Finding a map they believe will take them to the gold, the soldiers embark on a journey that leads to unexpected discoveries, enabling them to rise to a heroic challenge that drastically changes their lives.
Based on a 1995 Vanity Fair article, the film recounts how 60 Minutes commentator Mike Wallace (Christopher Plummer) and his producer Lowell Bergman (Al Pacino) were blackballed into dumping a segment on tobacco-industry defector Jeffrey Wigand (Russell Crowe) because CBS execs were in the midst of a multibillion dollar merger with the corporation that owned Wigand.
10 year-old Fanny Price (O'Connor) is shipped from her hard-luck home to live with her wealthy relatives, the Bertrams, in Mansfield Park. Upon arrival, she is treated as inferior by her aristocratic relations. When Fanny grows up, she is alluring, vital and possesses a wit as sharp as a guillotine. When the most saught after resident of Mansfield Park begins to woo Fanny, her status is radically uplifted.
No matter who you are, no matter what you do for a living, there's always somebody younger, faster and stronger coming right up behind you. At the crossroads of his life, Tony D'Amato (Al Pacino) has finally come to that realization.
Max Fischer (Jason Schwartzman) is a 10th grader at Rushmore Academy who is currently: editor of the school newspaper and yearbook; president of the French Club, German Club, Chess Club, Astronomy Club; captain of the fencing and debate teams; founder of the Double-team Dodgeball Society; and director of the Max Fischer Players, for whom he writes and produces plays about police corruption, inner-city violence, war, etc. He is applying for early admission to Oxford. (Harvard is his safety.) He is also one of the worst students in the school and has been placed on sudden-death academic probation.
Max falls in love with a first grade teacher named Miss Cross (Olivia Williams), and uses all of the resources at his disposal to try to win her over. When he develops a plan to construct an aquarium at the school in her honor, he approaches unhappy millionaire Mr. Blume (Bill Murray) to raise seed money. Max and Blume become good friends until Blume falls for Miss Cross and Max is expelled from Rushmore for attempting to build the aquarium on the shool's baseball diamond.
Based on actual events. Brandon Teena is the popular new guy in a tiny Nebraska town. He hangs out with the guys, drinking, cussing, and bumper surfing, and he charms the young women, who've never met a more sensitive and considerate young man. Life is good for Brandon, now that he's one of the guys and dating hometown beauty Lana. However, he's forgotten to mention one important detail. It's not that he's wanted in another town for GTA and other assorted crimes, but that Brandon Teena is actually a woman named Teena Brandon. When Brandon's best friends make this discovery, his life eventually is ripped apart by betrayal, humiliation, rape, and murder.
In his 35th year as head coach, Bud Kilmer (Jon Voight) is trying to lead his West Canaan Coyotes to their 23rd division title. Uncompromising and omnipotent, Kilmer is deified in the small Texas town, as long as the team is winning.
But when star quarterback Lance Harbor (Paul Walker) suffers a season-ending injury, the Coyotes are forced to regroup under the questionable leadership of second-string quarterback Jonathan Moxon (James Van Der Beek). His irreverent attitude and approach to football come into direct conflict with the coach's inflexible game plan.
In the first decade of the new millennium, with advances in global technology overtaking the sovereignty of human compassion, Richard Martin (SAM NEILL) buys a gift, a new NDR-114 robot. The product is named Andrew (ROBIN WILLIAMS) by the youngest of the family's children. Touchstone Pictures'/Columbia Pictures' "Bicentennial Man" follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don't have an ordinary robot.
The heist goes smoothly enough. The cash is already hot. So when Porter (Mel Gibson) and Val (Gregg Henry) steal it, they're in the clear. Time comes around to split the take and Val makes three grave mistakes: he takes Porter's cut; he takes Porter's wife and tries to take Porter's life. Problem is, when you kill this guy, you better make sure he's dead.
Porter soon resurfaces, reborn with a serious case of tunnel-vision. He wants his cut and doesn't care what he has to do to get it. Now, everyone in the city's criminal underworld, including an air-tight syndicate called The Outfit, have Porter's cross-hairs trained on them.
Nicole (Melissa Joan Hart) and Chase (Adrian Grenier) live next door to each other - but are worlds apart. Nicole is up on the latest fashions; Chase, on the latest protest. She wouldn't miss a pep rally or basketball game; he can usually be found moping in some darkened coffee house.
Nicole wants a dream date with the star basketball player. But she got dissed. Chase's girlfriend is smart and beautiful. But he got dumped. Now that they have something in common, Nicole and Chase reluctantly join forces to navigate the land mines of high school love. Their scheme: date each other to attract the interest and jealousy of their respective romantic prey. But in the midst of planning a gala centennial celebration, Nicole and Chase find that the one they always wanted was closer than they ever realized.
An older man listens to Bill's story about being a callow writer who likes to follow strangers around around London, observing them. One day, a glib and self-confident man whom Bill has been following confronts him. He's Cobb, a burglar who takes Bill under his wing and shows him how to break and enter. They burgle a woman's flat; Bill gets intrigued with her (photographs are everywhere in her flat). He follows her and chats her up at a bar owned by her ex-boyfriend, a nasty piece of work who killed someone in her living room with a hammer. Soon Bill is volunteering to do her a favor, which involves a break-in. What does the older man know that Bill doesn't?
Adam was born in a steel bunker buried in his parent's backyard, an unforeseen product of the "duck-and-cover" era taken to its extreme. The son of brilliant-but-paranoid scientist Calvin Webber (Christopher Walken) and picture-perfect suburban wife Helen (Sissy Spacek), Adam's bizarre upbringing was the result of a major tactical mistake. In the midst of the fearsome Cuban Missile Crisis, the Webbers witnessed a blast they thought must be the Big One, but was actually a plane crashing into their yard. So it was that they ensconced themselves in their elaborately engineered bomb shelter to wait out the half-life of radioactive contamination. For 35 years, Adam was raised on Jackie Gleason re-runs, Perry Como records and dreams about life on the surface. While his father taught him about science, baseball and avoiding Communists, his mother taught him about dancing, manners and charming girls. Meanwhile, he waited and waited for a chance to see the sky.
Eve, on the other hand, grew up in a rapidly changing Los Angeles and emerged as a woman suspicious of intentions, savagely smart about survival and pretty darned uncertain about the possibilities of love. Her life has been a series of dead-end jobs, shallow boyfriends and dashed hopes.
Now, for the first time, Adam is about to leave the safety of the underground for the overwhelming complexity of the '90s - and Eve is about to get a whole new perspective on life. When the time-triggered locks on the Webber's shelter at last open, Adam is sent out to replenish supplies and find a nice, non-mutant girl from Pasadena in order to repopulate the world with upstanding citizens.
Adam's hapless search in the brave new world of homeless people, adult book stores and all-night supermarkets leads him smack into Eve. At first, she just can't believe this guy who says "Ma'am," thinks seersucker jackets are stylish, and has never seen color television, is for real. But the more Eve watches Adam approach the world with wide eyes, comic miscomprehension, joyous delight and a deliciously sweet innocence, the more she begins to find herself falling . . . in love?
But the question still remains: can these two find happiness in the real world, or will their sparks send Adam back underground?
A murderer is loose on the streets of Manhattan. A diabolical killer whose brutal slayings leave a trail of cryptic messages hidden at the scene of the crime. Clues which only a brilliant mind can interpret.
Now as the city lies in fear, a gifted but disabled detective is on the case. Together with the help of a rookie street cop, the two must go inside the mind of this terrifying madman and defeat him at his own game. For he will strike again...But next time, they may just be too late.
Turning from a NASA career to a lucrative rocket-designing job in the private sector, Spencer and Jillian move to a lavish new apartment in Manhattan. Soon after, Jillian finds out she is expecting - and in keeping with the increase of her new life, she is expecting twins. But something is not quite right with this dream pregnancy, either. As her pregnancy advances, Jillian descends into a nightmare. Is it just pre-partum hormonal craziness, or is there something terribly wrong with Jillian's husband and babies? Is she just paranoid or is there really a conspiracy between Spencer, her doctors and even her closest family and friends to keep her in the dark? And is it just an embittered former NASA employee's (Joe Morton) fantasy, or is she really carrying inside her the end of humanity as we know it?
Homer Wells is an orphan, but he does not lack for a family. Having grown up at St. Cloud's orphanage under the unconventional but loving tutelage of Dr. Wilbur Larch, Homer never wanted for affection. Now, as Homer approaches manhood, he begins to question his future. Homer yearns to explore the world for himself.
When he meets a privileged young couple, Homer hitches a ride with them and liberates himself from St. Cloud's. Suddenly his choices are limitless. He is introduced to a bigger world full of new sights, adventures and friendships, as well as tragedy, betrayal and danger. The rules that governed his former life seem obsolete. And when Homer falls in love for the first time, his upbringing offers no guidance. As affection turns to ardor, he experiences the highs and lows, as well as the complicated rewards and responsibilities that come with these new emotions. Suddenly, the consequences of making choices become more acute.
In Coalwood, West Virginia in 1957, all the boys grow up to be coal miners, and Homer Hickam has no reason to think he'll be any different. Too small to earn a football scholarship, Homer has no way out of his predetermined life - until the Soviet satellite Sputnik flies over the October sky and changes everything. Homer's world just got a lot bigger.
Though his father is a mine superintendent and has no greater wish than to see his sons follow in his footsteps, Homer dreams of bigger things for himself-above the ground. With the help of three of his friends, he sets out to build and launch his own rocket. Despite frequent misfires that nearly get them shut down, their successes inspire the whole town to believe that even in Coalwood, there's nothing wrong with shooting for the stars.
Although deeply in love with her boyfriend - and indeed sleeping in the same bed with him - a schoolteacher cannot handle the almost complete lack of intimacy he will allow. Increasingly frustrated, she gradually finds her sexual appetites leading her into ever more risky situations, including a developing one with the headmaster.