AJ Manglehorn is an aging, ordinary guy in a small town. He nurses his sick cat, squeezes out a conversation with the local bank teller every Friday, and eats at the same place every day. But there is more to Manglehorn than meets the eye: he's an ex-con who, 40 years ago, gave up the woman of his dreams for a big 'job'. He now obsesses daily over the choices he made. After a dramatic effort to start over, Manglehorn faces a terrifying moment and is unmasked as a guy with a very, very dark past.
After India's (Wasikowska's) father dies in an auto accident, her Uncle Charlie (Goode), who she never knew existed, comes to live with her and her emotionally unstable mother Evelyn (Kidman). Soon after his arrival, she comes to suspect this mysterious, charming man has ulterior motives, but instead of feeling outrage or horror, this friendless girl becomes increasingly infatuated with him.
Director Jonas Mekas travels through New York nights, through apartments, studios, backstage rooms, galleries, bars, and clubs. Encountering old acquaintances like Ken and Flo Jacobs, Yoko Ono, friends, brothers and sisters, sons and daughters. Mr. Mekas begins the film with the words 'I can't sleep.' Who hasn't been in this situation? Sleepy and yet wide awake at the same time, you find yourself in the world of those exhausted from the day's exertions, the drunk, the relaxed, the dancing, the brooding, the mourning, and the pensive.
The Advocate for Fagdom unites the puzzle pieces one by one. Testimonies are combined with rare archive images. Art galeries present movie extracts that are succeeded by images shot on location. And the other way round. Writers, film makers, art galeries owners, actors and actresses, photographers, producers, friends and loved ones all join in a game of interpretation, analysis or simple anecdotes. John Waters, Bruce Benderson, Harmony Korine, Gus Van Sant, Richard Kern, Rick Castro and others deliver their impressions, theories and confessions. Everything blends into the fascinating portrait of a singular person blessed with singular talents. A complex personality at war not with a system but all systems. The portrait of a man constantly moving between his punk attitude and extreme sensibility.
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"Trash Humpers" follows a small gang of sinister 'elderly' peeping toms through the shadows of a nightmarishly familiar suburban landscape. Their shocking and sociopathic behaviour makes for unbearably compelling viewing that scorches itself on the mind's eye.
Until the Light Takes Us is a feature length documentary chronicling the history, ideology and aesthetic of Norwegian black metal.
The greatest cultural accomplishments in history have never been the result of the brainstorms of marketing men, corporate focus groups, or any homogenized methods; they have always happened organically. More often than not, these manifestations have been the result of a few like-minded people coming together to create something new and original for no other purposethan a common love of doing it. In the 1990s, a loose-knit group of American artists and creators, many just out of their teens, began their careers in just such a way.
"Last Days" is filmmaker Gus Van Sant's meditation on the inner turmoil that engulfs a brilliant, but troubled, musician in the final hours of his life. Michael Pitt ("The Dreamers," "Hedwig and the Angry Inch") stars as Blake, an introspective artist who is buckling under the weight of fame, professional obligations, and a mounting feeling of isolation. "Last Days" follows Blake through a handful of hours he spends in and near his wooded home, a fugitive from his own life. It is a period of random moments and fractured consciousness, fused by spontaneous bursts of rock & roll. Expanding on the elliptical style forged in his two previous films, "Gerry" and the Palme d'Or-winning "Elephant," Van Sant layers images and sounds to articulate an emotional landscape, creating a dynamic work about a soul in transition.
Will Hunting (Matt Damon) is twenty years old, and already stands out in his rough, working-class neighborhood in South Boston. He's never been to college, except to scrub floors as a janitor at MIT. Yet he can summon obscure historical references from a photographic memory, and almost instantly solve math problems that frustrate Nobel Prize winning professors. The one thing this remarkably bright, impossibly angry young man can't do - after his latest bar fight - is talk his way out of a pending jail sentence. His only hope is Sean McGuire (Robin Williams), a college professor-turned-therapist with an admiration for Will's emotional struggles, and a keen understanding of what it's like to fight your way through life.
Solomon and Tummler are two teenagers killing time in Xenia, Ohio, a small town that has never recovered from the tornado that ravaged the community in the 1970s.
cuses on Telly (Leo Fitzpatrick), a teen who has a goal to de-flower as many virgins as he can. When one of his old encounters discovers that she is H.I.V.-positive, after only one encounter with a guy, Telly remains undaunted.
The Late Show with David Letterman is an hour-long weeknight comedy and talk show broadcast by CBS from the Ed Sullivan Theater on Broadway in New York City. The show debuted on August 30, 1993 and is produced and hosted by David Letterman. The show's music director and bandleader of the house band, the CBS Orchestra, is Paul Shaffer. The head writers are brothers Justin Stangel and Eric Stangel. The announcer is Alan Kalter, who replaced Bill Wendell as announcer in 1995. The show airs at night, but is recorded the afternoon of the broadcast. Each show is recapped in The Wahoo Gazette. Letterman was previously the host of Late Night with David Letterman (which many news articles still call Letterman's show even today) on NBC from 1982 to 1993. Shaffer, Wendell, and several members of the band were also with the NBC show.