Part 4 of our A Hitchhiker's Guide to the Galaxy Q & A is here with director Garth Jennings and producer Nick Goldsmith. To catch up on parts 1, 2, and 3 of the interview, CLICK HERE to access our official film page for the film.
"How much does this movie deviate from Douglas Adams' originalideas and ideals? How much was sacrificed for a better commercialsuccess?"
GARTH: Douglas wrote the script that we've revised with Karey and it sticks to the original themes and ideas but has more plot structure and character arc than previous incarnations.
NICK: From what I have heard Douglas Adams approached each incarnation of Hitchhikers whether it be the TV show, book or games with a fresh take depending on the medium. The great thing with Hitchhikers is that as long as you understand the ethos behind it and where the humour is coming from, it allows you a lot of leeway within that.
How are you dealing with the overall narrative flow of the film interms of traditional 3 act structure? Will the 3rd act be open endedtowards continuing on to "Restaurant..." or will there be somesense of closure?
When adapting a book to film it's not so important to captureall the details, but to capture the heart and spirit of the sourcematerial. What, in your opinion, is the essence of theHitchhiker's Guide? What are the book and the film about?
GARTH: You're quite right. You can't capture all the detail. The film would be 10 years long. We've had to boil some elements down to their essence in order to make them work on screen (with some excellent results too) but I think the themes and ideas in the book are still just as prevalent in the film. And they are as topical as they were 20 years ago. Hitchhiker's always seemed like a surreal spin on life to me. Wherever you went in the universe you would always find creatures or situations that reflected the madness of a certain aspect of ordinary life on earth. Vogons aren't that different from men you might find asleep in the House of Commons or wearing a judges wig. The President of the Galaxy shares many of our world leaders characteristics, give or take the odd head or extra arm. And the themes that run through the story such as: As a race we take ourselves far too seriously, we're always worrying about things that don't matter and not noticing the extraordinary planet we've ended up on… They are wonderful themes to carry home from the cinema with you. And it's all in there. You'll find it next to the bowl of petunias and the whale coming to terms with it's existence.
NICK: Wow, that sounds really good, where do I sign up.
What's the one thing from the story that you really wanted toinclude in the movie but couldn't?
GARTH: we see Zaphod stealing the Heart of Gold but I would love to have shown him skimming along in his boat on Damogran before hand. Sam Rockwell would have loved doing that.
We know that there are loads of new ideas for the film, but out ofthe scenes that remain from the original radio series, which do they thinkwill most surprise the fans?
GARTH: Most of the fans seem to find everything out way in advance so it's hard to keep things a surprise! Slartibartfast and the planet factory are turning out to be pretty wonderful elements in the film visually but still very much what you heard in the original series. The Vogon's destroying Earth is as you heard it but with added mayhem and madness. I also think our take on Arthur and Ford in the Vogon airlock is a peach. I suppose the biggest surprise, judging by the amount of questions that crop up about him, will be how good Mos Def is at playing Ford and how funny his entrance into the film is.
NICK: I hope the planet factory will be the biggest surprise to the fans. I also think the Guide entries will have a big impact. They were so good and much loved from the TV series, that we had a lot to live up too. But the team at Shynola have done an amazing job, and it clearly stands out as something very new within the film.