A recent interview with composer Howard Shore over at Soundtrack.net has revealed some interesting aspects of the scoring process for upcoming big budget films like Peter Jackson's The Lord Of The Rings: Return Of The King, King Kong, and Martin Scorsese's The Aviator.

On Return Of The King...

With so many themes in the film trilogy, how did you keep track of it all?

Oh, you have to come see my notes.

Brian B.