This Christmas, acclaimed director Tim Burton is unleashing his theatrical adaptation of Stephen Sondheim's award-winning musical thriller Sweeney Todd. The film stars Johnny Depp, Helena Bonham Carter, and Sasha Baron Cohen. It promises to deliver Burton's unique style while showcasing a story that has long captivated live audiences worldwide. I've always been fascinated by the idea of Sweeney Todd. Yet, I have never seen the stage play in its entirety.
This red-faced man in a moth-chewed piglet outfit lumbered on stage, throwing as much enthusiasm into the role as he could. He stuttered the intended lines on a continual loop for five minutes, spraying the audience with drool. His mouth was Gallagher's watermelon. His words the sledge hammer. That bookstore needed to hand out rain slickers. But they didn't.
I had absolutely no interest in live theater after that. My mom tried in vein to get me to go to a play here or there, but I refused. I wouldn't even participate in them at school. They scared me. And it had nothing to do with stage freight. Live theater is a musty, dead place to me. It smells like dust and rotting crabs. I can't conceptually buy any of the emotions I might find there. I basically hate the thought of musicals and one-act comedies. But it wasn't just Piglet that sealed my fate.
Murray and Mahon were bringing their version of Jack and the Beanstalk to our small town of Corvallis, Oregon. The production was being supervised by Herschel Gordon Lewis, a man also known for smut and kiddy exploitation flicks. Of course my mom didn't know this. She scooped me up with a smile and plunked me down in that seat next to the Magee children, a rambunctious bunch that picked at my allotted ice cream dish with booger-incrusted fingers. First, there was that. Then the pre-show entertainment began. An old drunk came out with a scabby ventriloquist dummy and proceeded to do a burlesque bit toned down slightly for the children in attendance. This would have been scary enough on its own, but this was around the time Magic came out. Every time I went to the movie theater, I would see the trailer for this Anthony Hopkins film. And it crippled me, throwing me underneath the seat. That dummy was scary, and seeing a live version just a few feet in front of me was making me quiver in my tough skins.
The actors all had cobwebs growing out of their eyeballs. Their performance was the equivalent of being rolled in disregarded thrift store clothing. The whole enterprise smelt stale. It was sickening. Opaque. An acid trip happening in the mind of a mentally insane clown hoped up on Angel Dust. Jack and the Beanstalk, as put on by Murray, Mahon, and Lewis, was gag inducing. It was like a year long bout of epididmides. (For those not in the know, that's like being continually kicked in the balls. It's a seasick sensation that will give you sea legs.)
Shakespeare. What a dick.
It's best not get into my deal with Urotheatrophobia. Which is the fear of having to go to the bathroom during the middle of a movie. That has no place in this particular column. But you can read more on it, just CLICK HERE
None of this stuff fazed me, though. Then I walked into the living room one evening to find my Aunt, Mom, and Dad all transfixed on the television. They were watching 1983's Showtime premier of Sweeney Todd: The Demon Barber of Fleet Street. This musical starred George Hearn and Murder, She Wrote's Angela Lansbury. I was a fan of horror films at the time, so I thought it would be neat. The premise seemed cool. So, I flopped myself on the floor and started watching this videotaped stage production. Its bony hand reached out of the TV and grabbed my heart, squeezing tight. I clutched at my ribs. A heartburn sensation eased itself throughout my entire body. The dust from the theater floor had somehow seeped out of the TV and blinded me. I was chocking on the splinters in the wood beams of the stage. The props were like fiberglass being sanded into my skin. I wanted to watch it, so desperately. But I couldn't. I made it through about five minutes before running out of the room, screaming.
I couldn't even watch a taped version of a stage play. Pity me.
It's always been this way for me. Whenever I've come across a stage play that looks intriguing, I've had to wait for the big screen adaptation. And sometimes, the wait is hard. I've heard a ton about Tony 'n' Tina's Wedding. My brother and his wife went, and they had a wonderful time. I said, "No way! Uh-uh!" Especially since they incorporate you into the affair. I have a hard enough time with the plays when they are going on in front of me. I don't need them in my peripheral, consuming me. That seems like a quaint version of Hell. This past week saw a filmed version into theaters in Los Angeles and New York. Now I can finally see what all the fuss is about. Hopefully, Queen's We Will Rock You will make its way into my DVD collection soon enough. Too bad they've already cast Sasha Baron Cohen in a more straightforward Freddy Mercury biopic. He would have been perfect for this musical.
Here are my favorite stage plays that have been turned into films in the order of their release. These cinematic versions made it possible for me to appreciate live theater at least on a thematic level. To some extent, they have kept me alive and made me a more culturally rich person:
10) Li'l Abner. This musical adaptation of the Al Capp comic strip opened on Broadway in 1956. In 1959, the production was turned into a musical comedy starring Peter Palmer, Leslie Parrish, Julie Newmar, Stella Stevens, and Donna Douglas with a cameo by Jerry Lewis. The story centers on the fictional town of Dogpatch, which is being targeted by the US government as the test site for a nuclear bomb. The townsfolk take their Yokumberry Tonic to Washington, claiming it will give young men super human strength. The only place to get Yokumberries is in Dogpatch, thus making the town indispensable. Only later does the government find out that the tonic also makes men sterile. Released on December 11th and running 114 minutes, this hilarious take on the cornpone subculture was nominated for an Academy Award, a Golden Globe, and an Emmy for best Musical presentation.
9) The Sound of Music. This Broadway production opened in November of 1959. It wasn't until 1965 that Roger Wise turned the musical into a much-loved theatrical endeavor. Filmed on location in Austria, it starred Julie Andrews and Christopher Plummer. The plot revolves around a wannabe nun that takes on the role of governess to the seven von Trapp children. Released March 2nd and running 174 minutes, the film won five Academy Awards including Best Picture. It also won two Golden Globe Awards and the Directors Guild of America Award.
8) The Rocky Horror Picture Show. This long running stage musical opened in London on June 19th, 1973. Creators Richard O'Brien and Jim Sharman turned it into a feature film in 1975. It was the first Midnight Movie ever released by a major film company, and has been playing to a ravenous cult audience ever since. Tim Curry and Meat Loaf reprised their original stage roles for the film, with Susan Sarandon and Barry Bostwick also joining the cast. The plot finds newlywed couple Brad and Janet trapped in the compound of sweet transvestite Dr. Frank-N-Furter. Released on September 26th in the US and running 98 minutes, the film was recognized by the National Film Preservation Board in 2005 and has been properly preserved for generations to come.
7) Grease. Originally conceived in 1971 as a play with incidental music, Grease shot onto Broadway in June of 1972, where it became the longest running production of its time. The musical was turned into a film in 1978 that starred John Travolta as Danny Zuko and Olivia Newton-John as Sandy Olsson. The film revolves around the aftermath of a summer romance between a rebel greaser and a hometown honey from Australia. A twist of fate puts them in the same high school senior year, and they must come to terms with their opposing cliques before they can have a relationship with one another. Released on June 16th and running 110 minutes, this audience favorite was nominated for both the Academy Award and the Golden Globe in all musical categories. It won the People's Choice Award for best film of 1978.
6) Annie. This musical stage play based on Harold Gray's comic strip Little Orphan Annie made it's world premier at the Goodspeed Opera House in East Haddam, Connecticut in 1976. Gaining popularity, it quickly found itself on Broadway the very next year. In 1982, the hard drinking John Huston turned this rousing tale about a little orphaned girl and her well-to-do billionaire adoptive father Daddy Warbucks into a Technicolor dream. It was released too much fanfare on May 17th and runs 127 minutes long. It was nominated for both an Academy Award and a Golden Globe for its music. It must be noted that the film was also nominated for five Razzie Awards. Annie herself, Aileen Quinn, won for Worst Supporting Actress. Still, it is fondly remembered as a cheerful comic strip come to life and is adored by millions.
5) Little Shop of Horrors. This, like many stage to film adaptations, first started out as a horrible little B movie best known for its cameo appearance by Jack Nicholson. Alan Menken turned the low-budget 1960s sci-fi comedy into an Off-Broadway stage production in 1982. In 1986, Frank Oz took the musical and turned it into a big screen production starring Rick Moranis, Ellen Greene, and Steve Martin. The film centers around a nerdy florist that takes in a man-eating plant from outer space. Bill Murray took over the cameo role originated by Jack Nicholson in the original film. Released on December 19th and running 94 minutes, this rock and roll fever dream was nominated for both an Academy Award and a Golden Globe for its music.
4) Glengarry Glen Ross. This is the only non-musical on this list. Though, it should be noted that a musical stage adaptation has been tempted. The original David Mamet play debuted in 1984 and went on to win a Pulitzer Prize. In 1992, James Foley turned the original stage play into a drama starring Jack Lemmon, Al Pacino, Ed Harris, Alan Arkin, Kevin Spacey, and Alec Baldwin. This two-day look at real estate agents is notorious for using the word fuck one hundred and thirty-eight times. Released on September 30th and running 110 minutes, the film saw Al Pacino being nominated for a Best Supporting Actor award by both the Academy of Motion Pictures and the Golden Globes.
3) Chicago. Bob Fosse choreographed this original Broadway production, which bowed in 1975. It ran for 936 performances, and saw a revival in 1996. In 2002, director Rob Marshall brought this prohibition era musical to the big screen with Catherine Zeta-Jones and Renee Zellweger in the lead roles. Richard Gere, Queen Latifah, and John C. Reilly also appeared in the film to much adoration. The story chronicled the adventures of Velma Kelly and Roxie Hart, two murderesses who found themselves on death row together in 1920s Chicago. Opening on December 27th and running 113 minutes, the film was nominated for 13 Academy Awards and won six, including Best Picture. It was also nominated for eight Golden Globes, winning three including Best Film: Musical or Comedy.
2) Dreamgirls. This Broadway Musical opened December 20th, 1981 at the Imperial Theater in midtown Manhattan. The stage production followed a young female singing trio named the Dreams, and it was based on the success of other R&B acts such as The Supremes. Bill Condon turned the popular production into a lavish 2006 film. It starred Jamie Foxx, Beyonce Knowles, Eddie Murphy, and Jennifer Hudson. Released on December 15th and running 131 minutes, the musical was nominated for eight Academy Awards winning two. It was also nominated for five Golden Globes and seven Image Awards.
1) Hairspray. Like Li'l Abner, Little Shop of Horrors, and The Producers, Hairspray first started out as a low budget film. Originally released in 1988 and directed by John Waters, this non-musical comedy went on to obtain a ravenous cult audience. In 2002, Marc Shaiman turned the wacky little B movie into a Broadway hit. A few years later, Adam Shankman took elements from both the original film and the stage musical for his 2007 Adaptation, which premiered this summer. Released on July 20th of this year, Hairspray has garnered much attention and has already seen a re-release which incorporated onscreen sing-along-lyrics. This new version of the Baltimore race riot is being touted as an Academy Award forerunner. It had the largest opening weekend grosses of any musical in film history, and is the third biggest moneymaking musical of all time. It was just released on DVD a couple of weeks ago and is currently sitting pretty at the top of the charts.
Hopefully, sometime in the near future, I can seek psychological help for my theatrophoboia and finally be able to enjoy some of these stage productions from the comfort of my local playhouse.
Until then: Viva La Cinema!