Michael Fassbender, Jeremy Irons and Marion Cotillard can't save Assassin's Creed, proving video game movies still suck.
Passengers has an interesting premise that devolves into science-fiction and romance convention despite strong turns from Jennifer Lawrence and Chris Pratt.
La La Land is an absolute gem and certainly vies for the best film of 2016 as it makes your spirit soar.
A spoiler free review! Lucasfilm has outdone themselves with Rogue One, a personal, thrilling tale that embodies the best of Star Wars.
Jessica Chastain headlines an all-star cast in MIss Sloane, a timely political thriller that delivers big on talent but not much else.
Director Nathaniel Atcheson's latest sci-fi/thriller Domain has a very interesting idea to explore but loses something in the execution.
An all-star cast of comedy veterans power forth with Office Christmas Party whenever the premise gets overplayed.
Director Pablo Larrain crafts a sublimely artistic and intimate portrayal of Jacqueline Kennedy that follows her husband's assassination in Jackie.
Director Robert Zemeckis creates a throwback to Hollywood's golden age with a cast that sizzles.
M. Night Shyamalan further revitalizes his career by going for big thrills on a small scale in the new thriller Split.
Bravo to the team behind Bad Santa 2 for having the guts to make a sequel just as offensive as the first, you'll laugh yourself into the ground.
Filmmaker Jim Jarmusch illustrates the poetic nature of even the most mundane of lives in the spellbinding Paterson.
Newt Scamander does not have the charm or gravitas of Harry Potter, but Fantastic Beasts still proves to be an enthralling experience.
Director Mike Mills delivers 2016's most satisfying blend of true-life drama and comedy with the help of a pitch-perfect cast in 20th Century Women.
Robert De Niro stars as an aging comedy legend trying to get back on his feet in the admirable but slightly uneven The Comedian.
Director Tim Sutton's drama inspired by the Aurora, Colorado theater shootings is a beautifully-shot film devoid of any cohesive story.
A story about courage and perseverance against impossible odds, Miles Teller delivers a powerhouse performance in Bleed For This.
Amy Adams gets linguistic with a group of aliens in Arrival, an immediate Best Picture contender as awards season heats up.
A24's latest horror movie The Monster will scratch the itch for those looking for a scary movie with substance.
Director Denis Villenueve has made the anti-Independence Day with Arrival. Amy Adams delivers a bravura performance.
Director Mel Gibson and Andrew Garfield both deserve Oscars for their enthralling true-life war drama Hacksaw Ridge.
Marvel Studios raises its own bar with Doctor Strange, a rousing adventure with stunning visual effects and a perfect Benedict Cumberbatch.
Ron Howard's Inferno is an entirely illogical thriller that at no point managed to hold my interest, the worst of the Da Vinci Code sequels.
In a Valley of Violence is steeped in classic archetypes, with fantastic performances from Taissa Farmiga and John Travolta.
Ben Affleck's gun-toting CPA is painfully boring in The Accountant, lugging through a labyrinthine plot that is too obvious.
From Director Park Chan-wook, The Handmaiden is a sumptuously artistic tale, exquisitely shot, that will leave you breathless.
In a time when race relations have become the hot button subject in an election year, The Birth of a Nation is a timely reminder of a deplorable shared history.
The Girl on the Train is a sensual ride worth taking, and features an outstanding Emily Blunt.
From the director of Napoleon Dynamite, Masterminds plays like a weak SNL sketch that goes on for a very long 90 minutes.
Pierce Brosnan has more than a few network issues in the techno-thriller I.T., delivering a parable for the modern age.
Miss Peregrine's Home for Peculiar Children is a delightfully sinister fantasy from Tim Burton, but it looses steam near the end.
Director Peter Berg captures hell with technical precision in Deepwater Horizon, reminding us of the heavy price paid in blood and tears.
The raw, leading man star power of Denzel Washington provides a mighty lift when needed in the otherwise underwhelming Magnificent Seven remake.
Lionsagate and horror director Adam Wingard have unleashed their secret, terrifying and excellent Blair Witch sequel.
Snowden never views Edward Snowden in any critical light, telling his story only the way Oliver Stone wants it to be told.
Renee Zellweger returns in top form for her third outing as a singleton trying to deal with an unexpected pregnancy in Bridet Jones's Baby.
Clint Eastwood's adaptation of the Miracle on the Hudson has its moments, but Sully never quite reach the stratosphere.
Director Derek Cianfrance fails with The Light Between Oceans, as every minute of the movie weighs heavily upon the audience.
Director Luke Scott's artificial intelligence based sci-fi thriller Morgan just barely misses the mark.
Director Luke Scott's Morgan is a very forgettable sci-fi thriller that fails to achieve the highs of last year's Ex-Machina.