The Dynamic Duo team up with the Maid of Mischief to stop Poison Ivy in the campy revival of the 90s classic cartoon Batman and Harley Quinn.
Danielle Macdonald is stellar in her first starring role as an aspiring New Jersey rapper in Patti Cakes.
Ryan Reynolds and Samuel L. Jackson are fantastic together in The Hitman's Bodyguard, but the story gets too familiar in places.
A deranged stalker becomes obsessed with a social media star in the humorous yet uneven Ingrid Goes West.
Jeremy Renner and Elizabeth Olsen investigate murder on a Wyoming Indian reservation in the ominous mystery Wind River.
Roland Deschain versus The Man in Black in a moderately successful, very short adaptation of Stephen King's The Dark Tower.
Steven Soderbergh returns from his short retirement for Logan Lucky, a hillbilly heist comedy brimming with good natured humor.
Director David F. Sandberg obliterates expectations with Annabelle: Creation, a terrifying and worthy spin-off in The Conjuring universe.
Detroit is a brutal and unflinching movie from director Kathryn Bigelow and screenwriter Mark Boal, the team behind Hurt Locker and Zero Dark Thirty.
Charlize Theron plays a femme fatal with deadly fighting skills in the high-octane action thriller Atomic Blonde.
Director Luc Besson's Valerian is a visually stunning sci-fi adventure that lacks substance.
Dunkirk is an extraordinary work of cinema that relies on cutting edge camera work and bare bones storytelling.
Valerian and the City of a Thousand Planets looks incredible, but never reaches the point of rousing sci-fi adventure.
Supervillain Balthazar Bratt, voiced by South Park creator Trey Parker, has a plan to dance battle you into liking Despicable Me 3.
Spider-Man: Homecoming is a funny, heartfelt, coming of age story that deftly captures the awkwardness of being a teenager.
War for the Planet of the Apes is a riveting sequel that pushes the boundaries of motion capture performance.
Director Matt Reeves brings the perfect ending to one of the greatest trilogies of all time with War for the Planet of the Apes.
Edgar Wright's Baby Driver plays like a two hour music video, with Ansel Elgort emerging as true leading man.
Director David Lowery delivers a very unique and pretty weird take on the supernatural with A Ghost Story.
Transformers 5 is a towering special effects extravaganza with a befuddling plot, but fans of the 1986 movie are in for a big surprise.
South Korean Director Bong Joon-ho delivers a thoughtful, visceral satire of the meat industry with his adventure thriller Okja.
All Eyez on Me fails to provide any insight whatsoever into the man or the events that really shaped Tupac Shakur.
47 Meters Down is a tedious, 89-minute shark thriller with less than five minutes of shark action.
Oren Uziel makes his directorial debut with the twisty comedic noir thriller Shimmer Lake, and it's one of this summer's best whodunnits.
Rough Night is a funny comedy uplifted by its talented cast, especially the scene-stealing Jillian Bell.
Director Joshua Johnson and writer Tara C. Hall have created a psychedelic horror experience destined to be an indie classic.
Universal's Dark Universe begins with an epic dud as Tom Cruise flounders in The Mummy, one of his worst movies ever.
The Mummy sets up Universal's new monsters movie universe in grand fashion, though in unpredictable ways.
Jeff Garlin turns in some of his best work ever as a lonely detective searching for a killer in Handsome: A Netflix Mystery Movie.
Julian Barratt plays a former TV detective called in for a real case in the hilarious new Netflix movie Mindhorn.
Captain Underpants is a nonstop barrage of poop jokes, but has a lot of heart and feeling.
Gal Gadot arrives as the hero and feminist icon fans deserve in Wonder Woman, which renews faith in the DC Movie universe.
Director Trey Edward Shults crafts a unique terror ride with the excellent summer horror movie It Comes at Night.
War Machine encapsulates the insanity of never ending armed conflict, bringing one of the best original movies to Netflix yet.
Baywatch brings plenty of eye-candy but is too long and repetitive to live up to 21 Jump Street or even CHiPs as a movie adaptation.
The franchise has lost some sizzle by its fifth installment, but still entertains with Johnny Depp at the helm.
Wakefield is basically Bryan Cranston in an attic with binoculars, a gimmick that wears thin quickly.
Ridley Scott's Alien: Covenant may not be the movie fans were hoping for but its a big improvement over Prometheus.
Snatched is mostly silly and dumb but still funny enough to warrant a positive recommendation.