Post-season baseball once again fell victim to the ladies of Wisteria Lane Sunday as ABC's Desperate Housewivesdrew a 15.8 rating and a 22 share in the 9:00 p.m. hour, while the second game of the World Series posted a 10.1/15 on Fox during the same hour. The Desperateladies also continued to boost the ratings of Grey's Anatomy, which followed at 10:00 p.m. with a 12.2/19, while the Series registered a 10.5/16. Earlier in the evening CBS won the 7:00 p.m. hour with a football overrun and the start of 60 Minutespulling a 10.9/18, while Fox's pregame show was coming in a distant second with a 6.8/11. At 8:00 p.m., CBS remained ahead with Cold Casedrawing an 11.1/16 while the series posted a 9.4/14.


A lawsuit filed by two talent agencies against Paramount questioning how the company can claim that the TV series Frasier, which grossed $1.5 billion, is actually $200 million in the red may shed more light on Hollywood's accounting systems, the Los Angeles Timesobserved today (Monday). The lawsuit, filed by the Jim Preminger Agency of Los Angeles and the Kaplan Stahler Gumer Braun Agency of Beverly Hills, claims that Paramount contrived ways of funneling to itself hundreds of millions of dollars into production and distribution expenses, leaving no "net profits" to those persons who were promised "back end" deals. The two agencies represent Peter Casey and David Lee as well as the late David Angell, who created Frasier, the TV series that ran on NBC for 11 seasons. The Timesnoted that although there have been numerous similar lawsuits in the past, there remains no hard-and-fast definition of "net profits" and most of the lawsuits have wound up in out-of-court settlements.


Despite the enormous amount of publicity that attended the announcement by Disney and Apple that Disney would make a handful of ABC and Disney Channel programs available for downloading onto Apple's new video iPod, no television network is considering making a substantial part of its programming available online, and the video that is available still takes an unacceptably long time to download and fails even to come close to matching the quality of conventional analog television when viewed on a personal computer, the Wall Street Journalobserved today (Monday). A Journalreporter said that it took him 43 minutes to download a version of Desperate Housewivesfrom Apple's iTunes website and that the video, when shown on a PC monitor, appeared "slightly blurred and jagged."


60 Minutes' Mike Wallace will be promoting his new book, Between You and Me, first on NBC's Dateline,because, said Wallace, "Nobody was interested at CBS. It was quite apparent." Wallace, whose book was published by Hyperion, a corporate sibling of ABC, told today's (Monday) Philadelphia Inquirer. "CBS knew the book was coming. It's really strange. Nobody reached out." Instead, Wallace said he was contacted personally by Katie Couric, who offered him the chance to discuss his book with her on Datelineand on Today. Wallace said, "I thought to myself, 'This would be kind of interesting." The interview is scheduled to air head-to-head against CBS's 60 Minuteson Oct. 30 and conclude the following day on Today. (The Boston Herald reported today that the first segment of the interview will air on Friday's edition of Dateline, not Sunday's.) CBS said that it has booked Wallace for an appearance on The Early Showon Nov. 1.


Signaling a more aggressive stance by the Screen Actors Guild towards producers, the union on Sunday fired its national executive director, Greg Hessinger, as Hessinger was preparing to lead SAG's negotiating committee on a basic cable contract and on a commercials contract next year. Hessinger had been hired only six months ago. His firing, along with that of three former executives from AFTRA that he recently hired, marked the first significant action of SAG's board since it was taken over by the activist Membership First faction, headed by Alan Rosenberg, who became the union's president last month. In a statement, Rosenberg said, "The recent election made clear that our membership expects concrete results, particularly in our collective bargaining and our nationwide organizing efforts." He said that the firings "will allow us to focus our resources more intensely in these areas." Daily Varietyreported that the board also decided not to pay Hessinger the $1.4 million he's owed for the remainder of his contract. In response, Hessinger said, "SAG members, who depend upon the enforcement of their own contractual protections for their very livelihood, should understand the sanctity of a contract. If their elected leaders choose not to do so, I will take all steps necessary to enforce my rights." In an interview with today's (Monday) Los Angeles Times, Paul Christie, head of SAG's New York branch, called Hessinger's firing "probably the most unethical and dishonorable thing I've ever seen done here."


Doom appeared to be fulfilling its destiny over the weekend as the $60-80-million movie earned just $15.4 million at the box office, mostly from fans of the videogame on which it is based. (USA Todayreported that 59 percent of those who bought tickets to the movie said they had played the game.) With its fan base sated, ticket sales for the film are expected to plunge next week. Still, Doomperformed better than a slew of other new releases this weekend, none of which was even able to top the $10-million mark. DreamWorks' Dreamerplaced second with $9.3 million; Warner Bros.' North Countrycame in fifth with $6.5 million; and Fox's Stay stayed out of the way, unable even to make the top 10 as it drew just $2.2 million. It was beaten even by Warner Independent's Good Night, and Good Luck,which screened at only 225 theaters but managed to take in $2.3 million. Meanwhile DreamWorks Animation's Wallace & Gromit: The Curse of the Were-Rabbit declined just 24 percent from last week and ended up in third place with $8.7 million. Overall, the box office took in $117.4 million, down 8 percent from the comparable weekend a year ago.

The top ten films for the weekend, according to studio estimates compiled by Exhibitor Relations:

1. Doom, $15.4 million. 2. Dreamer: Inspired by a True Story, $9.3 million. 3. Wallace & Gromit: The Curse of the Were-Rabbit, $8.7 million. 4. The Fog, $7.3 million. 5. North Country, $6.5 million. 6. Elizabethtown, $5.7 million. 7. Flightplan, $4.7 million. 8. In Her Shoes, $3.9 million. 9. A History of Violence, $2.7 million. 10. Two for the Money, $2.4 million.


Sony Pictures opened Left Behind: World at War, starring Louis Gossett Jr.,at 3,200 churches across the country on Friday, but no commercial theaters, the Washington Postreported today (Monday). The newspaper observed that the studio has recognized the growing trend towards large churches with professional-quality projection and sound systems. (While just 25 years ago, fewer than 50 U.S. churches attracted more than 2,000 people each week, the number has now grown to more than 1,200, the newspaper noted.) Smaller churches were showing the film on large-screen TV sets and taking orders for DVD copies. "We want to show Hollywood that there are enough people in the churches to support good, wholesome entertainment without all the blood and guts and sex and vile language," the Rev. Richard Edgar, pastor of Reality Gospel Church in Alexandria, VA told the Post.


MPAA Chairman Dan Glickman has warned that his organization intends to wage a legal battle against a UNESCO convention passed last week that would allow countries to protect themselves against what they regard as a cultural invasion by America. "If countries start passing laws that are in contravention of World Trade Organization rules, there will be conflict," Glickman told a film industry conference in Beaune, France on Friday. He expressed concerns that some nations will use the UNESCO "cultural exception" to impose limitations on the number of U.S. films that can be distributed in their countries or to impose special taxes on films from abroad. Earlier, however, French Minister of Culture Renaud Donnedieu de Vabres told the convention that nothing less than his country's identity was a stake. "Our battle has nothing to do with [economic] protectionism," he said, pointing out that U.S. films already account for 85 percent of movie ticket sales worldwide.


Tony Adams, who became a wunderkind filmmaker in 1975 when Blake Edwards hired him at age 22 as associate producer on The Return of the Pink Panther, died of a stroke on Saturday in New York at age 52. Adams went on to become the producer of most of Edwards' films, including the rest of his Pink Panther movies as well as 10, S.O.B., Victor, Victoria,and Switch.In recent years, Adams partnered with David Garfinkle in Hello Entertainment, to develop and produce off-Broadway musicals.